Modern Classic Pinball Machines: Bally’s Cirqus Voltaire

Modern Classic Pinball Machines: Bally\’s Cirqus Voltaire

Sunday, February 28, 2010 11:07

Posted in category business

The video game is now a ubiquitous part of American pop culture but pinball still holds a cachet of cool. Pinball went through a few lean years during the early years of the video boom, when designers tried to cram as much stuff onto the playfield as possible, perhaps feeling the clutter was needed to replicate the video game experience. In recent years, however, designers appear to have concluded–and rightly so–that pinball cannot be a video game, nor should it want to be.

A great game of recent vintage is the 1997 Bally release ”Cirqus Voltaire”. The theme is sort of a ’Cirque du Soleil” on acid, and the iconography of the circus that they cram into the design and play of the game is amazing. The ultimate object of the game is to ”join the cirqus”, which, of course, is a classical American archetype of freedom and escape.

The game play offers a lot of what we’ve come to expect from Williams/Bally, with sweeping ramp shots, clever uses of time-worn features (like the disappearing pop bumper, reincarnated here as a balloon. This feature dates back to the 1950’s and appeared on Williams ”Gusher” among others), and multi-ball a-plenty. As is very common with pinball games today, the game’s ultimate object is to work your way through a variety of ’modes’. Sometimes this is a confusing endeavor, but here is very easy to understand–yet still very challenging to the player.

At its nadir, pinball companies were cranking out games featuring themes and subjects that offered little, if any, synergy with game play. ”Cirqus Voltaire” may represent a high point of thematic unity between game subjects, aesthetic design and play experience. It offers an otherworldly interpretation on a circus, with subtext, nuance and detail.

The really great thing about the game is the multiple levels of contextual awareness it offers. A slack jawed yokel can play it and just think its a nice game about the circus. To a cleverer player, it alternately provides a celebration and condemnation of the circus and, deeper still, of the popular culture that spawns and embraces them.

Ross Everett is a experienced freelance writer experienced in travel, casino gambling and sports handicapping. He is a staff handicapper for Anatta Sports where he is responsible for providing daily free sports picks. In his spare time he enjoys fine dining, falconry and scuba diving. He lives in Las Vegas with four dogs and a pet coyote.